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What is the distance in the shot?
The photos have different distances from the camera. For example the fire hydrant was a close up.
What was your point of view when you took the photos?
The point of views also vary from above or straight on. For example the boy under the bridge is straight on, while the stairs are from above.
As we discussed in class, how did you "make the ordinary extraordinary?"
I made the ordinary extraordinary by changing the perspective of something that is seen every day, such as the reflection of the trees on the water. I didn't add the
original trees to the photo, but because its a reflection its up side down to the viewer and it makes them take a second glance.
Did you consider the rule of thirds to compose your shots? In which photos? Describe.
The rule of thirds was not, at the time of shooting, a thought in the decision of taking the photos.
Which one of of your photos is a dynamic composition that successfully leads the viewer’s eye through the work?
The photo that i believe is dynamic is 'The Crowed and The Bridge'. From the plant then to the crowed, to then end of the line, the picture leads the viewer's eye.
The photos have different distances from the camera. For example the fire hydrant was a close up.
What was your point of view when you took the photos?
The point of views also vary from above or straight on. For example the boy under the bridge is straight on, while the stairs are from above.
As we discussed in class, how did you "make the ordinary extraordinary?"
I made the ordinary extraordinary by changing the perspective of something that is seen every day, such as the reflection of the trees on the water. I didn't add the
original trees to the photo, but because its a reflection its up side down to the viewer and it makes them take a second glance.
Did you consider the rule of thirds to compose your shots? In which photos? Describe.
The rule of thirds was not, at the time of shooting, a thought in the decision of taking the photos.
Which one of of your photos is a dynamic composition that successfully leads the viewer’s eye through the work?
The photo that i believe is dynamic is 'The Crowed and The Bridge'. From the plant then to the crowed, to then end of the line, the picture leads the viewer's eye.